29 July 2015
Philip Higham’s debut recording, a disc of Benjamin Britten’s three solo suites, won acclaim across the board, including Disc of the Month accolades from both Gramophone and BBC Music Magazine.
He has chosen to follow it directly with the Bach suites which were Britten’s inspiration, and which remain pinnacles of the repertoire for any cellist.
A towering achievement
International Record Review, April 2013
Expansive but tender playing ... Higham revels in the glorious sound, playing around with its warmth of colours to bring out with glorious inevitability the Bach and Shostakovich hidden therein.
Gramophone, March 2013
Higham has returned to Anna Magdalena Bach’s manuscript copy of the works, recently the object of some controversy. For Higham, however, the manuscript is a provocation not to speculation over authorship but to interpretations at once broadly and deeply conceived. Not afraid to question received wisdom, Higham's thoughtful yet daring approach also leads him to combine elements of period and modern style both in his playing and in his choice of instruments – a 1697 cello for the first five suites and a 2013 five-string instrument to bring out the extraordinary range of colours with which Bach invested the crowning Sixth.